Poisoned Apples Sissi and Schratt | Electroacoustic opera dell’arte | Première

Mű­csar­nok Szín­tér | 7 p.m. Mon­day 12 De­cem­ber 2016
Po­i­son­ed App­les
Sissi and Sch­ratt | El­ectro­a­co­us­tic opera dell’arte | Première
Com­pos­er: Bá­lint P. Ba­ráth
Sissi: opera sin­ger Ve­ro­ni­ka Dobi-Kiss and dan­cer/choreo­gra­p­her Hen­ri­ett Tu­nyo­gi (Bu­da­pest–Lon­don)
Sch­ratt: opera sin­ger/uni­ver­sity pro­fes­sor Car­men Va­si­le (Cluj–Ora­dea) and dan­cer/uni­ver­sity pro­fes­sor Ka­ta­lin Lő­rinc
Cos­tu­me: Zsu­zsa Ju­hász
Audio: Gyula An­dor­fer
Il­di­kó Bán’s free as­so­ci­a­ti­on of as­so­ci­a­tions
Among pic­tu­res. They live among pic­tu­res and their exis­ten­ce is just the same: they speak and move kno­wing all along that they will be­co­me pic­tu­res. The ma­jes­tic one, who is al­ways iden­ti­cal with herself, is the em­press. The sen­su­al one, who can iden­ti­fy with the ma­jes­tic or the lowly, is the ac­tress. Ma­ni­pu­la­ted, gover­ned sign sys­tems. Pre­ci­se steps where fei­gn­ing be­co­mes real th­ro­ugh cons­ci­o­usly me­a­sured steps. Fa­i­en­ce fi­gu­res. Pain, like in­te­ri­or ble­e­ding. In­vi­sib­le in­ter­ac­tions in in­su­la­ted cab­les. Their voice and mo­ve­ment is com­po­s­ed, ready for end­less­ness. In that spe­ci­al final mo­ment, be­fo­re the world be­came a fa­ster place. They are per­fect like a dream. Their emo­tions are po­i­son­ed by the si­tu­a­ti­on. They live in a mir­ror state th­ro­ugh a man – a si­tu­a­ti­on – al­be­it they bear no re­semb­lance to one anot­her.
Trai­ler: https://​www.​you­tu­be.​com/watch?v=fY4q-d9Jwwc
Tic­kets: 1200 Ft. Boo­kings: www.​jegy­mes­ter.​hu
Mű­csar­nok | Bu­da­pest, Hősök tere | www.​mu­csar­nok.​hu | mu­csar­nok@​mu­csar­nok.​hu